In front of the Acropolis rock, lies the old part of the city... It's a great pleasure walking on these streets where the ancient meets the old and where you can forget the new...
Man-made wings sweep golden grids against the glowing cage that stretches east from Venice to Knidos. These are early days and if they oscillate in harmony, conformed to the edges of a single thought, that thought is marked for our illumination.
We may find ourselves sinking/we've always been sinking into its hidden contours, casting nets of silvered photons in mockery of lesser light.
If no objections arise when the pale moon greets Helios on such mornings, or if improbable planes of simultaneous reflection defy customary astronomies, I don't think we will be surprised.
You know it has always been that way: we may touch the Alps with curious fingers from any unsafe distance, grazing peaked edges grown solid, our fingers tracing maps, the maps of tools and time on stones that stand in now or former temples that have weathered well.
Of these it was said we would mark out truth; ore wrested from subterranean forays into strip-mined culture; its subtext forged from illusion and the burnished metal of ancient myth, its finite edges brittle and suffused with saffron and irony.
Knowing this, we stand at the precipice, at a high, stony lookout, over seas of ancient treachery and faulty memory, wing-fanned air, gentle against cheek and lash, swaying in a silence made of wind, wave and breath; we look into the glittered distance, straining to know, toward a vanishing point we seek when weary, for rest, or perspective, for assurance.
In that sun-splashed morning, with nets of silvered photons cast beyond our idea of it, we look into the distance, unblinded by simultaneous reflection. We look to discover
no horizon, no horizon, there is no horizon at all.
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Την έχω δει σε καμιά πενηνταριά site μέχρι τώρα.
Απλά θα μπορούσαν να γράφουν το όνομα του φωτογράφου, κι ένα ευχαριστώ δεν κοστίζει τίποτα