×

Street…without PeoplePART IV
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY…WITHOUT PEOPLE
First things first let's remember that street photography is not so much about the subjects as it is a style of photographing, a 'forma mentis', a way to think, see, capture images. A forma mentis that can be summed up in the ability of RE-INTERPRETING, RE-CONTEXTUALIZING, giving a different interpretation, placing in a different context, the reality around us, giving it an additional significant meaning.
Even if the classic structure of street photography is a meaningful interaction between human and surroundings, we can have street photos where the human element is not physically present. Sometimes it can be symbolized by other elements, sometimes it is completely absent. Let's show some examples:
SYMBOLIC HUMAN PRESENCE
The human element is not physically present, but t

Street Photography Tutorial - IPART II
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART ONE
THE HUMAN SUBJECT
(article from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
Let's close our eyes and imagine going out in the streets and looking for unusual things. What do we expect to find? People, first of all.
That's good, the HUMAN PRESENCE is a fundamental element of street photography.
If we want to use only this ingredient, we'll be able to realize a true street photo only if the person we capture will have something unusual or interesting or is doing something unusual or interesting. Otherwise we'll have a good portrait, an enviromental portrait, a wide portrait whatever, but not a street photo.

The Essence of "Street"PART V
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* ends with:
WHAT IS STREET PHOTOGRAPHY?
Trying to define a genre of photography like Street, it implies the consciousness that one definition will never be enough, or exhaustive, or able to cover the molteplicity of its possibilities and situations. Nevertheless let's try to comprehend the philosophy behind the passion for street photography.
Let's start stating that a street photo is not a photography of streets and it is not necessarily a photo taken in a street. So what does 'street' mean? Street is whatever background or surrounding, not staged, not posed by the photgrapher. And street is whatever photography which captures, explores humanity, the human behaviour, the relationships between individuals and between individuals and their surroundings.
"The essence of street photography is the impulse to take candid pictures in the

PE: 52 Street tips from the Masters

“If you can smell the street by looking at the photo, it’s a street photograph.” — Bruce Gilden
“Turn your attention to the four-legged population.” — Ying Tang
“Take a bus. Do weekly shopping. Pop into a public loo.” — Nils Jorgensen
“Document some evidence of human ingenuity that would otherwise go unnoticed. Do it without including any humans in the picture.” — Michael Wolf
“Get lost in a thicket of signs and structures.” — Wolfgang Zurborn
“Never ignore a cliché.” — Artem Zhitenev
“When you have to shoot: shoot! Don’t talk!” — Il Brutto.

PE: Street Photography for experts

Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn't really

Street Photography Tutorial - IIPART III
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART TWO
COMBINATION OF HUMANs+SURROUNDINGS
Photographing together human presence and surroundings, combining them in something interesting and unusual, we obtain the classic structure of a street photography.
But mind you, it is not enough taking a photo with people and surroundings to have a good street photo! Remember that we have to strike, surprise, trigger an emotional response.
And that we can do CONNECTING people and surroundings.


by Nils Jorgensen


by Nils Jorgensen


by Nick Turpin

Goodbye Street GalleryIn few days, a whole year will have passed since the day I took over dA's Street Gallery as Street Community Volunteer.
A neglected gallery, full of misplaced images, but also with many worthy submissions.
I visited this galllery everyday, cleaning it (the 24h and 1month popular pages) and informing the photographers of the misplaced images (every single one of them), what Street is all about.
At the same time, 3 days per week, I featured a worthy image as a Street Daily Deviation, taking in account your suggestions as well. The featured images were not necessarily the "best" of the featured deviants. My intention was not to feature "bests" but to draw the community's attention, to active Street photographers, both experienced and new to the genre, in order to boost their dedication to Street. I am content because a lot of times I succeeded.
During this year, a lot of people helped me with their suggestions and with working in Groups, promoting the genre and de

PE: dA Street shooters share their tips1. What is the gear that deviant Street Photographers use?
2. What is the dream gear that they'd wish to have?
3. What is the best advice they could give to an inexperienced street shooter?
The answers are right below!
in the order they came into my inbox
*NunoCanha says:

1: 50/50 Nikon D90 / Sony Nex
2: Leica M9P + 35mm
3: Shoot. A lot. Be inside the action, to feel what´s going on with small focal lenght, or step back to realize a worthy context, but never be afraid to press the shutter. Never. You´re doing nothing wrong.
~kingmouf says:

1. I have a 5DmkII and an EOS300 (film). Both share the same 35mm f/2 lens. I use them almost equally.
2. I think the best camera is the one in your hand. I know it is a cliche but then again the problem most if the times is not at the camera but at the photographer.
(now... for some inexplicable reason there came a guy and told me, "Just order wh

A Visual Guide to Street PhotographyIt is my great pleasure to introduce you to a series of 5 articles about Street Photography made by the wonderful ^myraincheck and slightly edited by moi.
Part I
A VISUAL GUIDE TO STREET PHOTOGRAPHY
(the article is from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
The iN-PUBLiC | Manifesto, one of the most representative sites about street photography in the world, states that “all the photographers featured there have been invited to show their work because they have the ability to see the unusual in the everyday life and to capture the moment.”
Yes but…
What is UNUSUAL? What does it mean IN THE EVERYDAY life? And what is the MO

The Lucky 13 (street tips)13 Street Photography Tips
Tony Ray-Jones was an English street photographer. In the early 60′s he traveled to the U.S for studying for a Master of Fine Arts in graphic design at Yale. He moved to NY after graduating and got a job as an art director for CBS records but he was determined to become a photographer. In New York he became good friends with Joel Meyerowitz and became part of the NY street photographers scene led by Garry Winogrand.
Jones kept notebooks, a journal if you'd like in which he wrote down his thoughts, lists and plans about photography. In one of those lists, titled "Approach" he listed some tips for better street photographs. These tip are still valid today and can be used as a basic guidelines to better street photography.
1. Be more aggressive- just to be clear, this does not mean at any way that you should jump into situation that could become violent! In a way, this simple

Friday night Reasons to meet (or not) a Streettog
A weekly selection amongst the images that were suggested as DDs
or simply impressed me and I think they deserve more attention.
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see, this article
so it can reach as many deviants as possible.
10 reasons NOT to date a street photographer
by ^myraincheck
1. They don't have orgasms. They have 'decisive moments'.
2. If they could save just one thing from a fire they will be wavering between you and their camera. And if the camera in question is a Leica, then you are screwed.
3. You can forget romantic dates in quiet, secluded or isolated places.
4. You are never going to have a family album but tons of albums of photos of perfect strangers. Obviously they won't take a picture of you because 'you are not a stranger'.
5. Even when they SEEM to be taking a picture of you, they are ac

Browse More Like This

Shop Similar Prints

More from `StamatisGR

View Gallery · View Prints

Featured in Groups

Not currently featured in any groups.

×

634

22 16 0

Orangeby `StamatisGR

Favourite

Description Details Share

Shutter Speed:1/1500 second
Aperture:F/1.8
Focal Length:24 mm equiv
ISO Speed:80

______________________________________________________
Thank you for your time to look at my picture, your kindness to comment on it and your generosity to fav it. Your support is greatly appreciated.

Details

Stats

Submitted on: May 31, 2012
Image Size: 503 KB
Resolution: 900×600

Views: 634
Favourites: 22 (who?)
Comments: 16

Camera Data

Make: SAMSUNG
Model: EX1
Shutter Speed: 1/1500 second
Aperture: F/1.8
Focal Length: 5 mm
ISO Speed: 80
Date Taken: May 23, 2012
Software: Adobe Photoshop CS3 Macintosh

Shop For This Camera

~~love 0 0~~

~~wow 0 0~~

~~mad 0 0~~

~~sad 0 0~~

~~fear 0 0~~

~~neutral 0 0~~

Mood: Joy

~ZhaReap92 Jul 31, 2012

Awesome!!

Reply

~absinthFenix Jul 11, 2012 Professional Photographer

I love the orange compo, even her face is a bit orange...but, why moms of small kids have to smoke in these situations? God...give him something to play in the park, and than sit and smoke in peace. Better for both of them.

Reply

`StamatisGR Jul 11, 2012 Photographer

Absolutely right!

Reply

*Canankk Jun 3, 2012

I love elder people who wear colorful suits. It shows that they have good bounds to the life.

Reply

`StamatisGR Jun 3, 2012 Photographer

Reply

^myraincheck May 31, 2012

I love the three generations showed at once. Also the detail of the dummy, the cigarette, the cross hanging from the elder woman's neck. At each one her comfort

Reply

`StamatisGR May 31, 2012 Photographer

Indeed! The ciggy will do for me

Reply

Mood: Joy

~Nattygrego May 31, 2012 Hobbyist Photographer

Same market as the one with Eugene ?!?
nice colors Stam. Well played again !

Reply

`StamatisGR May 31, 2012 Photographer

thanks mate!

Reply

*NunoCanha May 31, 2012 Hobbyist Photographer

Beautiful old peach?
I see different pacifiers, too

Reply

Previous
1
2
Next