Street…without PeoplePART IVThe series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:STREET PHOTOGRAPHY WITHOUT PEOPLEFirst things first let's remember that street photography is not so much about the subjects as it is a style of photographing, a 'forma mentis', a way to think, see, capture images. A forma mentis that can be summed up in the ability of RE-INTERPRETING, RE-CONTEXTUALIZING, giving a different interpretation, placing in a different context, the reality around us, giving it an additional significant meaning.Even if the classic structure of street photography is a meaningful interaction between human and surroundings, we can have street photos where the human element is not physically present. Sometimes it can be symbolized by other elements, sometimes it is completely absent. Let's show some examples:SYMBOLIC HUMAN PRESENCEThe human element is not physically present, but t
Street Photography Tutorial - IPART IIThe series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:STREET PHOTOGRAPHY TUTORIAL - PART ONETHE HUMAN SUBJECT(article from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)Let's close our eyes and imagine going out in the streets and looking for unusual things. What do we expect to find? People, first of all.That's good, the HUMAN PRESENCE is a fundamental element of street photography.If we want to use only this ingredient, we'll be able to realize a true street photo only if the person we capture will have something unusual or interesting or is doing something unusual or interesting. Otherwise we'll have a good portrait, an enviromental portrait, a wide portrait whatever, but not a street photo.
The Essence of "Street"PART VThe series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* ends with:WHAT IS STREET PHOTOGRAPHY?Trying to define a genre of photography like Street, it implies the consciousness that one definition will never be enough, or exhaustive, or able to cover the molteplicity of its possibilities and situations. Nevertheless let's try to comprehend the philosophy behind the passion for street photography.Let's start stating that a street photo is not a photography of streets and it is not necessarily a photo taken in a street. So what does 'street' mean? Street is whatever background or surrounding, not staged, not posed by the photgrapher. And street is whatever photography which captures, explores humanity, the human behaviour, the relationships between individuals and between individuals and their surroundings."The essence of street photography is the impulse to take candid pictures in the