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Street Photography Tutorial - IIPART III
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART TWO
COMBINATION OF HUMANs+SURROUNDINGS
Photographing together human presence and surroundings, combining them in something interesting and unusual, we obtain the classic structure of a street photography.
But mind you, it is not enough taking a photo with people and surroundings to have a good street photo! Remember that we have to strike, surprise, trigger an emotional response.
And that we can do CONNECTING people and surroundings.


by Nils Jorgensen


by Nils Jorgensen


by Nick Turpin

The Essence of "Street"PART V
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* ends with:
WHAT IS STREET PHOTOGRAPHY?
Trying to define a genre of photography like Street, it implies the consciousness that one definition will never be enough, or exhaustive, or able to cover the molteplicity of its possibilities and situations. Nevertheless let's try to comprehend the philosophy behind the passion for street photography.
Let's start stating that a street photo is not a photography of streets and it is not necessarily a photo taken in a street. So what does 'street' mean? Street is whatever background or surrounding, not staged, not posed by the photgrapher. And street is whatever photography which captures, explores humanity, the human behaviour, the relationships between individuals and between individuals and their surroundings.
"The essence of street photography is the impulse to take candid pictures in the

PE: dA Street shooters share their tips1. What is the gear that deviant Street Photographers use?
2. What is the dream gear that they'd wish to have?
3. What is the best advice they could give to an inexperienced street shooter?
The answers are right below!
in the order they came into my inbox
*NunoCanha says:

1: 50/50 Nikon D90 / Sony Nex
2: Leica M9P + 35mm
3: Shoot. A lot. Be inside the action, to feel what´s going on with small focal lenght, or step back to realize a worthy context, but never be afraid to press the shutter. Never. You´re doing nothing wrong.
~kingmouf says:

1. I have a 5DmkII and an EOS300 (film). Both share the same 35mm f/2 lens. I use them almost equally.
2. I think the best camera is the one in your hand. I know it is a cliche but then again the problem most if the times is not at the camera but at the photographer.
(now... for some inexplicable reason there came a guy and told me, "Just order wh

Street…without PeoplePART IV
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY…WITHOUT PEOPLE
First things first let's remember that street photography is not so much about the subjects as it is a style of photographing, a 'forma mentis', a way to think, see, capture images. A forma mentis that can be summed up in the ability of RE-INTERPRETING, RE-CONTEXTUALIZING, giving a different interpretation, placing in a different context, the reality around us, giving it an additional significant meaning.
Even if the classic structure of street photography is a meaningful interaction between human and surroundings, we can have street photos where the human element is not physically present. Sometimes it can be symbolized by other elements, sometimes it is completely absent. Let's show some examples:
SYMBOLIC HUMAN PRESENCE
The human element is not physically present, but t

A Visual Guide to Street PhotographyIt is my great pleasure to introduce you to a series of 5 articles about Street Photography made by the wonderful ^myraincheck and slightly edited by moi.
Part I
A VISUAL GUIDE TO STREET PHOTOGRAPHY
(the article is from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
The iN-PUBLiC | Manifesto, one of the most representative sites about street photography in the world, states that “all the photographers featured there have been invited to show their work because they have the ability to see the unusual in the everyday life and to capture the moment.”
Yes but…
What is UNUSUAL? What does it mean IN THE EVERYDAY life? And what is the MO

The Lucky 13 (street tips)13 Street Photography Tips
Tony Ray-Jones was an English street photographer. In the early 60′s he traveled to the U.S for studying for a Master of Fine Arts in graphic design at Yale. He moved to NY after graduating and got a job as an art director for CBS records but he was determined to become a photographer. In New York he became good friends with Joel Meyerowitz and became part of the NY street photographers scene led by Garry Winogrand.
Jones kept notebooks, a journal if you'd like in which he wrote down his thoughts, lists and plans about photography. In one of those lists, titled "Approach" he listed some tips for better street photographs. These tip are still valid today and can be used as a basic guidelines to better street photography.
1. Be more aggressive- just to be clear, this does not mean at any way that you should jump into situation that could become violent! In a way, this simple

PE: Street Photography for experts

Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn't really

PE: 52 Street tips from the Masters

“If you can smell the street by looking at the photo, it’s a street photograph.” — Bruce Gilden
“Turn your attention to the four-legged population.” — Ying Tang
“Take a bus. Do weekly shopping. Pop into a public loo.” — Nils Jorgensen
“Document some evidence of human ingenuity that would otherwise go unnoticed. Do it without including any humans in the picture.” — Michael Wolf
“Get lost in a thicket of signs and structures.” — Wolfgang Zurborn
“Never ignore a cliché.” — Artem Zhitenev
“When you have to shoot: shoot! Don’t talk!” — Il Brutto.

The Mind's Eye - Book reviewStreet Book Reviews - Part I
A new series of articles begins, we hope you will enjoy them as much as the previous ones. This time ^myraincheck reviews Street Photography books and puts down on paper her favorite quotes. And yours truly picks up the images from your galleries to illustrate them.
So, we first present you:
The Mind's eye
by Henri Cartier Bresson
Original title: L'imaginaire d'après nature

The book, around 100 pages, is divided in two parts. The first one contains a precious series of thoughts on street photography, the famous description of the decisive moment and an analysis of the elements of photography: the decisive moment, the picture story, the subject, composition, technique, the customers, color, the imaginary from the truth.
In the second half of the book instead there are (much less interesting - street photography wise)
essays about travels to Moscow, Cuba and China, and memories and comm

PE:"So you think you can Street" ContestSpring is here!
For many of us, street shooters, it's the best season to go out and shoot "street".
And then come back and show what we got.
And maybe enter a neat little contest

"So, you think you can street?"

It is my great pleasure to announce
the first Official deviantArt "So you think you can street" Photography Spring Contest
which will be held from May 1st till June 15th in deviantArt site.
Everyone is welcome to enter !
Contest Guidelines
1. Your entry must be a STREET photograph. If it isn't, it will be removed from the contest and you can replace it with one that it is.
2. Your entry must be submitted in a special deviantArt category which will be open from the 1st of May till the 15th of June and can be found following thi

"Street": The origins - Defining StreetStreet Photography: The Origins

As we all know from the movie My Big Fat Greek Wedding everything was invented by the Greeks.
Well, ok we left some trivial things to be invented by the Chinese as well.
What you may not know is that Street photography was also invented by the Greeks before Photography itself was even invented.
Seriously now:
Kairos is an ancient Greek word meaning the right or opportune moment or "the supreme moment". The Greeks believed the concept of Kairos is achieved when such a moment is grasped for otherwise the moment is gone and cannot be re-captured. According to ancient Greeks, Kairos was the god of the “fleeting moment.”
Interestingly the ancient Greeks had two words for time, chronos and kairos. Whi

Friday night Street Specials v5.2
A weekly selection amongst the images that were suggested as DDs
or simply impressed me and I think they deserve more attention.
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see, this article
so it can reach as many deviants as possible.

Have a nice weekend!

Friday night Street Specials v6.1
A weekly selection amongst the images that were suggested as DDs
or simply impressed me and I think they deserve more attention.
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see, this article
so it can reach as many deviants as possible.

Have a nice weekend
15 days left to get your entry in
"So you think you can Street Contest"

Goodbye Street GalleryIn few days, a whole year will have passed since the day I took over dA's Street Gallery as Street Community Volunteer.
A neglected gallery, full of misplaced images, but also with many worthy submissions.
I visited this galllery everyday, cleaning it (the 24h and 1month popular pages) and informing the photographers of the misplaced images (every single one of them), what Street is all about.
At the same time, 3 days per week, I featured a worthy image as a Street Daily Deviation, taking in account your suggestions as well. The featured images were not necessarily the "best" of the featured deviants. My intention was not to feature "bests" but to draw the community's attention, to active Street photographers, both experienced and new to the genre, in order to boost their dedication to Street. I am content because a lot of times I succeeded.
During this year, a lot of people helped me with their suggestions and with working in Groups, promoting the genre and de

PE: Street Photography for dummiesA brief guide to Street Photography beginners

What do we need to shoot a Street picture?
1. A camera
Whatever kind of a camera is good. Either it is a ridiculously expensive rangefinder or an unbelievably cheap point and shoot compact. Either it shoots digital or it shoots film. Either it weighs a ton or it weighs few grams. ANY camera is fine as long as you have it with you. The most expensive rangefinder or SLR is completely useless if it's been left at home! So...Carry a camera. Always.
2. A public place
This can be out in the streets or at the beach or inside a hotel's lounge or in a diner place or inside a supermarket or a mall or a school or whatever PUBLIC place. This public place must be visible in our picture. And things must be happening in this public place.
3. People
Exa

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Street Photography Tutorial - I

Mon May 14, 2012, 2:26 AM

PART II

The series of 5 articles about Street Photography made by *myraincheck and slightly edited by moi* continues with:

STREET PHOTOGRAPHY TUTORIAL - PART ONE

THE HUMAN SUBJECT

(article from photo4u.it - il portale italiano della fotografia translated and adapted to dA by *myraincheck)

Let's close our eyes and imagine going out in the streets and looking for unusual things. What do we expect to find? People, first of all.
That's good, the HUMAN PRESENCE is a fundamental element of street photography.
If we want to use only this ingredient, we'll be able to realize a true street photo only if the person we capture will have something unusual or interesting or is doing something unusual or interesting. Otherwise we'll have a good portrait, an enviromental portrait, a wide portrait whatever, but not a street photo.

by Cristophe Agou

by Matt Stuart

by Melanie Einzig

by David Gibson

by Maciej Dakowicz

CONNECTIONS

Let's now introduce an essential ingredient in street phtography: CONNECTION
The first thing we can do is connecting two or more persons together. Similarity, opposition, symmetry, repetition of details, whatever. What matters is to HIGHLIGHT something special.

by Matt Stuart

by Nick Turpin
_{`StamatisGR: When I first saw this picture I was left speechless! What are the chances? 2 pairs of men(similarity), 1 pair coming 1 going(opposition), both pairs dressed in the same way (repetition), one pair wears helmets the other is bald (similarity). The photo could be staged. But it's not! And this makes it a perfect street shot!}

by Adrian Fisk

by David Solomons

HUMAN SUBJECTS from dA street shooters

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HUMAN CONNECTIONS from dA street shooters

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_{`StamatisGR: The art of looking and seeing 2 stars, 2 butterflies!! I love btw}

Stay tuned, 3 more articles to come

*_{`StamatisGR made the CSS of the article and added few pictures}

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A Visual Guide to Street Photography

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