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The Essence of "Street"PART V
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* ends with:
WHAT IS STREET PHOTOGRAPHY?
Trying to define a genre of photography like Street, it implies the consciousness that one definition will never be enough, or exhaustive, or able to cover the molteplicity of its possibilities and situations. Nevertheless let's try to comprehend the philosophy behind the passion for street photography.
Let's start stating that a street photo is not a photography of streets and it is not necessarily a photo taken in a street. So what does 'street' mean? Street is whatever background or surrounding, not staged, not posed by the photgrapher. And street is whatever photography which captures, explores humanity, the human behaviour, the relationships between individuals and between individuals and their surroundings.
"The essence of street photography is the impulse to take candid pictures in the

Street Photography Tutorial - IPART II
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART ONE
THE HUMAN SUBJECT
(article from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
Let's close our eyes and imagine going out in the streets and looking for unusual things. What do we expect to find? People, first of all.
That's good, the HUMAN PRESENCE is a fundamental element of street photography.
If we want to use only this ingredient, we'll be able to realize a true street photo only if the person we capture will have something unusual or interesting or is doing something unusual or interesting. Otherwise we'll have a good portrait, an enviromental portrait, a wide portrait whatever, but not a street photo.

Street Photography Tutorial - IIPART III
The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:
STREET PHOTOGRAPHY TUTORIAL - PART TWO
COMBINATION OF HUMANs+SURROUNDINGS
Photographing together human presence and surroundings, combining them in something interesting and unusual, we obtain the classic structure of a street photography.
But mind you, it is not enough taking a photo with people and surroundings to have a good street photo! Remember that we have to strike, surprise, trigger an emotional response.
And that we can do CONNECTING people and surroundings.


by Nils Jorgensen


by Nils Jorgensen


by Nick Turpin

The Lucky 13 (street tips)13 Street Photography Tips
Tony Ray-Jones was an English street photographer. In the early 60′s he traveled to the U.S for studying for a Master of Fine Arts in graphic design at Yale. He moved to NY after graduating and got a job as an art director for CBS records but he was determined to become a photographer. In New York he became good friends with Joel Meyerowitz and became part of the NY street photographers scene led by Garry Winogrand.
Jones kept notebooks, a journal if you'd like in which he wrote down his thoughts, lists and plans about photography. In one of those lists, titled "Approach" he listed some tips for better street photographs. These tip are still valid today and can be used as a basic guidelines to better street photography.
1. Be more aggressive- just to be clear, this does not mean at any way that you should jump into situation that could become violent! In a way, this simple

A Visual Guide to Street PhotographyIt is my great pleasure to introduce you to a series of 5 articles about Street Photography made by the wonderful ^myraincheck and slightly edited by moi.
Part I
A VISUAL GUIDE TO STREET PHOTOGRAPHY
(the article is from photo4u.it - il portale italiano della fotografia translated and adapted to dA by ^myraincheck)
The iN-PUBLiC | Manifesto, one of the most representative sites about street photography in the world, states that “all the photographers featured there have been invited to show their work because they have the ability to see the unusual in the everyday life and to capture the moment.”
Yes but…
What is UNUSUAL? What does it mean IN THE EVERYDAY life? And what is the MO

The Mind's Eye - Book reviewStreet Book Reviews - Part I
A new series of articles begins, we hope you will enjoy them as much as the previous ones. This time ^myraincheck reviews Street Photography books and puts down on paper her favorite quotes. And yours truly picks up the images from your galleries to illustrate them.
So, we first present you:
The Mind's eye
by Henri Cartier Bresson
Original title: L'imaginaire d'après nature

The book, around 100 pages, is divided in two parts. The first one contains a precious series of thoughts on street photography, the famous description of the decisive moment and an analysis of the elements of photography: the decisive moment, the picture story, the subject, composition, technique, the customers, color, the imaginary from the truth.
In the second half of the book instead there are (much less interesting - street photography wise)
essays about travels to Moscow, Cuba and China, and memories and comm

Friday night Street Specials v5.1
A weekly selection amongst the images that were suggested as DDs
or simply impressed me and I think they deserve more attention.
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see, this article
so it can reach as many deviants as possible.

Have a nice weekend!

Friday night Street Specials v6.1
A weekly selection amongst the images that were suggested as DDs
or simply impressed me and I think they deserve more attention.
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see, this article
so it can reach as many deviants as possible.

Have a nice weekend
15 days left to get your entry in
"So you think you can Street Contest"

PE: dA Street shooters share their tips1. What is the gear that deviant Street Photographers use?
2. What is the dream gear that they'd wish to have?
3. What is the best advice they could give to an inexperienced street shooter?
The answers are right below!
in the order they came into my inbox
*NunoCanha says:

1: 50/50 Nikon D90 / Sony Nex
2: Leica M9P + 35mm
3: Shoot. A lot. Be inside the action, to feel what´s going on with small focal lenght, or step back to realize a worthy context, but never be afraid to press the shutter. Never. You´re doing nothing wrong.
~kingmouf says:

1. I have a 5DmkII and an EOS300 (film). Both share the same 35mm f/2 lens. I use them almost equally.
2. I think the best camera is the one in your hand. I know it is a cliche but then again the problem most if the times is not at the camera but at the photographer.
(now... for some inexplicable reason there came a guy and told me, "Just order wh

Goodbye Street GalleryIn few days, a whole year will have passed since the day I took over dA's Street Gallery as Street Community Volunteer.
A neglected gallery, full of misplaced images, but also with many worthy submissions.
I visited this galllery everyday, cleaning it (the 24h and 1month popular pages) and informing the photographers of the misplaced images (every single one of them), what Street is all about.
At the same time, 3 days per week, I featured a worthy image as a Street Daily Deviation, taking in account your suggestions as well. The featured images were not necessarily the "best" of the featured deviants. My intention was not to feature "bests" but to draw the community's attention, to active Street photographers, both experienced and new to the genre, in order to boost their dedication to Street. I am content because a lot of times I succeeded.
During this year, a lot of people helped me with their suggestions and with working in Groups, promoting the genre and de

PE: 52 Street tips from the Masters

“If you can smell the street by looking at the photo, it’s a street photograph.” — Bruce Gilden
“Turn your attention to the four-legged population.” — Ying Tang
“Take a bus. Do weekly shopping. Pop into a public loo.” — Nils Jorgensen
“Document some evidence of human ingenuity that would otherwise go unnoticed. Do it without including any humans in the picture.” — Michael Wolf
“Get lost in a thicket of signs and structures.” — Wolfgang Zurborn
“Never ignore a cliché.” — Artem Zhitenev
“When you have to shoot: shoot! Don’t talk!” — Il Brutto.

Street Photography DDs - April 2012About the Street Gallery, Street DDs etc.

By ~kuvars

By ~cinqth

Street Photography for experts

Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography – that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn’t really describe street photography.
To start with, street photography doesn’t need to be done on

PE: Street Photography for experts

Defining Street Photography
by Dave Beckerman
Most types of photography can be easily defined by their subjects. A wedding photographer takes pictures of weddings. A portrait photographer poses someone and takes their picture. The nature photographer covers a wide area, but it is easy to categorize.
Street photography is difficult to define because it can encompass just about any subject.
If I were to ask you to name a few famous street photographers, you might pick, Garry Winnograd, Henri Cartier-Bresson, or maybe Robert Frank. But if I asked you to define street photography that would be more difficult. You might say that street photography is candid pictures of strangers on the street. That might be a good start, but it doesn't really

Friday night Street Specials v8.4
A weekly selection amongst the images that were suggested as DDs
or simply impressed me and I think they deserve more attention.
Enjoy them, comment on them and remember to visit the photographers' galleries as well.
If you like what you see, this article
so it can reach as many deviants as possible.

:iconbutterflyplz:
Have a nice weekend!

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Submitted: May 28, 2012
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Street…without People

Mon May 28, 2012, 12:29 AM

PART IV

The series of 5 articles about Street Photography made by ^myraincheck and slightly edited by moi* continues with:

STREET PHOTOGRAPHY…WITHOUT PEOPLE

First things first let's remember that street photography is not so much about the subjects as it is a style of photographing, a 'forma mentis', a way to think, see, capture images. A forma mentis that can be summed up in the ability of RE-INTERPRETING, RE-CONTEXTUALIZING, giving a different interpretation, placing in a different context, the reality around us, giving it an additional significant meaning.
Even if the classic structure of street photography is a meaningful interaction between human and surroundings, we can have street photos where the human element is not physically present. Sometimes it can be symbolized by other elements, sometimes it is completely absent. Let's show some examples:

SYMBOLIC HUMAN PRESENCE

The human element is not physically present, but there are elements that symbolize humans:

by Jesse Marlow

by David Gibson

by Melanie Einzig

REFRAMING

Reframing means placing in a different context what we see, through the process of selection, organization and interpretation of the elements, changing the meaning of elements. This is done carefully SELECTING those elements to include and exclude form the composition, ORGANIZING them in a composition which is able to give a message, a story, a narration, a content open to INTERPRETATION.

To still be considered street, the images with inanimate subjects or animals really have to be a step ahead, not fall in self-reference, didascalic, trivial or simplicistic representation of objects.

by Matt Stuart

by Mark Powell

by Blake Andrews

NO PEOPLE STREET PHOTOGRAPHY by dA Streephers

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Street…without Peopleby `StamatisGR

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~firegirl27tx May 29, 2012

So awesome!
And Inspiring!

*NunoFigueira May 29, 2012

Always a feast to our eyes

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~LonelySorceress May 29, 2012 Student Photographer

So....following on from the bit where you mention animals in street photography, could one make some sort of metaphor between urban wildlife and human society?